that’s what she said
2025, solo show, Zoumboulakis Galleries, curated by Eleni Michaelidi (Athens,GR)
Titled “that’s what she said”, the exhibition appropriates a common punchline with a supposedly unintended humorous double entendre: a double meaning, one of which is typically obvious, while the other suggests an underlying message with sexual connotations. This sexist cliché negative speech act is reappropriated by the artist as a badge of honor - an open call to forge and render visible non-traditional feminist kinships and relationships.Titled “that’s what she said”, the exhibition appropriates a common punchline with a supposedly unintended humorous double entendre: a double meaning, one of which is typically obvious, while the other suggests an underlying message with sexual connotations. This sexist cliché negative speech act is reappropriated by the artist as a badge of honor - an open call to forge and render visible non-traditional feminist kinships and relationships. [...]
Balancing between established everyday habits and aspirations for alternative reciprocitiesBalancing between established everyday habits and aspirations for alternative reciprocities that defy heteronormative patriarchal norms, this new body of work unfolds as “experiments in imagining otherwise” (Lola Olufemi) - a series of experiments in non-binary visual praxis”.
︎ view full press release here
︎ view full curatorial text by Eleni Michaelidi here
︎ Photos by Thanassis Gatos
Titled “that’s what she said”, the exhibition appropriates a common punchline with a supposedly unintended humorous double entendre: a double meaning, one of which is typically obvious, while the other suggests an underlying message with sexual connotations. This sexist cliché negative speech act is reappropriated by the artist as a badge of honor - an open call to forge and render visible non-traditional feminist kinships and relationships.Titled “that’s what she said”, the exhibition appropriates a common punchline with a supposedly unintended humorous double entendre: a double meaning, one of which is typically obvious, while the other suggests an underlying message with sexual connotations. This sexist cliché negative speech act is reappropriated by the artist as a badge of honor - an open call to forge and render visible non-traditional feminist kinships and relationships. [...]
Balancing between established everyday habits and aspirations for alternative reciprocitiesBalancing between established everyday habits and aspirations for alternative reciprocities that defy heteronormative patriarchal norms, this new body of work unfolds as “experiments in imagining otherwise” (Lola Olufemi) - a series of experiments in non-binary visual praxis”.
︎ view full press release here
︎ view full curatorial text by Eleni Michaelidi here
︎ Photos by Thanassis Gatos









︎ The exhibition was accompanied by a limited edition zine, a collection of images and words, created by the artist.




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